Theoretical-methodological notes on memory and historical-cultural heritage in Managua

Abstract

This writing presents the state of the art as something more than a simple technique; an investigation of new meanings, which transcends the descriptive level of the data to establish new relations of interpretation between the categories of the object of study in the different investigative productions and create new perspectives of research and training. For this purpose, a conceptual approach on collective memory, history, heritage and local development is outlined; and as a central approach it is proposed that alternative research articulates three essential elements. In this sense, it is suggested to advance in the theoretical and methodological field of the state of the art as a proposal for a critical look at methodological strategies of the object of study that promote participation, visibility and incorporation of memory as a fundamental axis for the construction of an identity. that contributes to local development on a micro scale.The state of the art requires a hermeneutical and critical analysis of its object of study for the transformation of its meaning, in a way that allows it to overcome the technical vision of analysis of the investigated knowledge, fulfilling a bilateral function both for the enrichment of history and collective memory critically analyzing the main theoretical-methodological notes and in turn validating the idea that it becomes the backbone of the development of investigative practices around the construction of contextualized scientific literature, relevant and according to the local realities of a country