Saint Guadalupe, Save Me and Protect Me: Tattoos on Life and Death
DOI:
https://doi.org/10.5377/raices.v5i10.13602Keywords:
Tattooing, autoethnography, body, health and illnessAbstract
In the current article, I will share some of my narrative fragments and the history of two tattoos that I made during my fieldwork season in Mexico through the years 2012 and 2017. What I mean to explain here, is the reflection about my corporal construction around the tattoo and how the ethnographic experience brought considerable changes in my being. Is my search to open the discussion and the reflection about our investigative practice which often we set aside or give it not enough epistemological importance. Thereby, I close the writing proposing some questioning as an invitation on re-thinking how we knowledge co-construct with and of the others knowledge, how we knowledge co-construct whit others people bodies and whit our ones, how we can express and communicate the not understandable from our sense frame, whit our emotional conception and practices; What happens on that “me”, as the fieldwork season get to the end and we go back to the origin place, to the previous “normality”.
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References
DeMello, M. (2000). A cultural history of the modern tattoo community. United States Of America: Duke University Press.
Gutiérrez Estévez, M. (2010). Esos cuerpos, esas almas. Un introducción. In M. Gutiérrez Estévez, & P. P. (eds.), Retóricas del cuerpo amerindio (pp. 9-56). Madrid: Iberoamericana.
Pratt, M. L. (2010). Ojos imperiales. Literatura de viajes y transculturación. México: FOndo de Cultura Económica.
Aschieri, P., & Puglisi, R. (2010). Cuerpo y producción de conocimiento en el trabajo de campo. Una aproximación desde la fenomenología, las ciencias cognitivas y las prácticas corporales orientales. In S. (. Citro, Cuerpos plurales. Antropología de y desde los cuerpos (pp. 127-148). Buenos Aires: Editorial Biblos.
Rubin, A. (1988). General Introduction. In A. (. Rubin, Marks of Civilization. Artistic Transformations of the Human Body (pp. 13-17). Los Angeles: Museum of Cultural History. University of California.
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